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Baby's Breath—Preliminary Stoker Ballot & Best Horror Short Story Award

1/21/2015

1 Comment

 
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It's been a good year for horror . . . and for me. 

Recently, I was lucky enough to be awarded Best Horror Short Story for "Baby's Breath" in the 2014 P&E Readers' Poll. I'm so grateful for everyone who took the time to read the story and vote for me, and especially appreciative for those of you who took the time to leave feedback. It meant a great deal. This award means a great deal.
Yesterday I found out that "Baby's Breath" also made the 2014 Bram Stoker Preliminary Ballot in the category for Superior Achievement in Short Fiction. What an honor. Just last month I upgraded from Affiliate to Active Status in the HWA, and feel truly blessed to be part of such a talented, gracious community of writers, artists, and professionals in the horror industry. 

I mentioned recently on Facebook that "Baby's Breath" carried a substantial amount of personal significance to me for a few reasons. In a nutshell, it's a tribute to someone I never met, but have learned to love through the eyes of another. I've come to know this woman from someone who has become a stronger person for all of her weaknesses and the tragedies she faced throughout her short, sad, and pained life. And despite her weaknesses, she also had many strengths. 

That said, the Diane in my story is not the same Diane about whom I am speaking. Though based on some fact, I took her story to the extreme--as we often do in horror--and in my own way, sought some vindication for her that she was unable to find on her own.
In addition to basing this story on the real-life story of someone else, an astute friend pointed out that a lot of "Baby's Breath" seems to be an unveiling of some of the emotional, physical, and psychological horrors I faced in the many years following the accident which retired me from teaching at 36 years of age. That friend was right. 

There's quite a bit of symbolism in "Baby's Breath" that dwells beneath the uncomfortable, unpleasant, and often unbearable surface of the narrative. Those years following my accident were long, lonely, and excruciating--and coming to terms with the grief of losing a career I had worked and fought so hard to secure was not easy. I had a lot of support from my family and friends, and can't imagine what it must be like for someone to endure such an ordeal without that--so relatively speaking, I always tried to consider myself extremely lucky.

Writing the story was hard. It was only the second I wrote start to finish after emerging from the black hole into which I had fallen after the accident. Years of pain, post-concussive symptoms, surgeries, fighting the nightmare that is worker's compensation, depression . . . there was a time I never thought I would read again, let alone write. Diane's descent into madness, insecurity, paranoia, and reclusivity was likely an exaggerated depiction of what I experienced during that time, though while writing it I'm not altogether sure I was aware of this. I think it takes a step back--or even someone else pointing it out after the fact--to recognize something like this happening in our writing. 

Do you ever find yourself unintentionally writing about your own experiences in your work? Writing yourself into your characters? 

Like King said, "Fiction is the truth inside the lie."
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My "write nights" with Tracy were instrumental in my recovery--as both a functioning human being and writer. I wrote the first paragraph of "Baby's Breath" and had it published as a hundred word piece called "Transference" on Hellnotes in January of last year, and at the prodding of Ann K. Boyer, another good friend, fleshed it out into a short story for the BUGS anthology.

Simon Rumley's praise for "Baby's Breath" in the Foreword did more for me than I can describe in words. But I will say that reading what he said about my work was one of those once-in-a-lifetime moments I will never forget. I'd be remiss not to thank the great Daniel Knauf for his invaluable support both as a friend and professional, as well. 


And to all of you who have offered help and assistance along the way--be it through friendship or support of this story and/or other work--thank you. You can't possibly know how much it means to me. 

My first "professional" experience assimilating back into the industry was negative and unpleasant to say the least, and if it weren't for the kindness and actual professionalism so many of you showed to outweigh that, it would have been easy to just give up. 

But if an accident like the one I had  can't keep me down, and cancer can't beat me, one bad apple in the barrel sure isn't going to make me toss the whole thing out. It just makes me appreciate the goodness of the others that much more.

There are way too many good apples to mention, but in addition to those I’ve named, special thanks for various reasons go to Morgan Griffith, Rose Blackthorn, Carl R. Moore, Gretch, Sandy and Mark, Julya Oui, Suzy Saylor, John R. Little, John Palisano, Rena Mason, Gard Goldsmith, Taylor Grant, Kurt Fawver, Michael Randolph, Randy D. Rubin, Maddie Von Stark, Kristi DeMeester, Ken Wood, John Boden, Tim Deal, Freud, Sal, Matt Edginton, Mark Matthews, Daniele Serra, Jeremy Wagner, Dr. Alex and Bobbi Scully, Aaron Gudmunson, JDS, Stephen Williams, Jon Moon, David North-Martino, Colum McKnightmare, Josh Black, Kenneth Cain, Amie, Aaron Sterns, John Dixon, Ted, Sean Padlo, Matthew Bartlett, ChickaDee, Tracie Orsi, Adam Domville, Stephanie Wytovich, Marge Simon, Alexander Zelenyj, Eric J. Guignard, Matt Manochio, Michael Bailey, Chris Kelso, Greg Norris, Ken MacGregor, April Hawks, John Urbancik, André Øvredal, Anthony Rivera, Paul Fry, Joe Lansdale, Norman Prentiss, Kami Garcia, Lawrence Connolly, Robin Spriggs, Emma Audsley, Richard Thomas, Killion Slade, Gene O'Neill, John DeMember, Dave Dormer, Douglas E. Winter, and many others who hopefully know who you are. 


If you haven't read "Baby's Breath" yet, 
you can read it here. 

These are some of the kind things readers and peers have said about it:


“The narrator's slow unhinging is perfectly paced 
and the author pushes against the border of the grotesque 
just enough to make the story as viscerally disturbing 
as it is psychologically unsettling . . . 
A supremely skilled tale of the decomposition of a relationship and the horrifying consequences of failed parenthood.”

“I was in pain the entire time I read this story. A fantastic piece of horror that burrows deep into the psyche as well as the skin.”

“exquisitely grotesque” 

“A visceral story that gets right under your skin.”

“The writing is tight and spare . . . 

The non-sequential narrative is handled effectively, 
allowing the story to open with a strong hook before rewinding to fill in the details of the germinating horror.”


“utterly chilling . . . Diane's macabre narrative 
is a powerful shot of multifaceted strangeness.”


“engrossing from the first page until the last, 

and deliciously horrific throughout.”

“short, sharp, emotional and uncomfortable”

“An exquisitely dreadful story.” 

“The most chilling short I read all year.”

Of course I am *beyond* thrilled that both "Dandelion Clocks" and Inkblots and Blood Spots appear on the ballot, as well. 

We at Villipede are very proud of that collection and honored to be representing Michael Bailey's stellar work. I simply can't say enough about the collection, except that I believe with every fiber of my being that it fully deserves to be on the ballot. You've all heard me rave about it for some time now, and I am pleased to see it among such fine company in its category. 


As far as "Dandelion Clocks" goes, well . . . Michael seems surprised it made it through, but I'm not. Again, he's in really good company! But I fell head over heels in love with that novelette and think he deserves a place on the ballot as much as anybody. And the fact that Douglas E. Winter guest-edited that piece makes it even more special to me. 

Michael blogged about the Preliminary Ballot here . . . slightly more eloquently than me, perhaps. Thanks for the kind words, Michael!

Here is the ballot, as announced by the HWA:

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The Horror Writers Association (HWA) is pleased to announce the Preliminary Ballots for the 2014 Bram Stoker Awards®. The HWA is the premiere writers organization in the horror and dark fiction genre, with over 1,300 members. We have presented the Bram Stoker Awards in various categories since 1987.

Superior Achievement in a Novel
Tim Burke – The Flesh Sutra (NobleFusion Press)
Adam Christopher – The Burning Dark (Tor Books)
Michaelbrent Collings – This Darkness Light (self-published)
Lawrence C. Connolly – Vortex (Fantasist Enterprises)
Craig DiLouie – Suffer the Children (Gallery Books of Simon & Schuster)
Patrick Freivald – Jade Sky (JournalStone)
Chuck Palahniuk – Beautiful You (Jonathan Cape, Vintage/Penguin Random House UK)
Christopher Rice – The Vines (47North)
Brett J. Talley – The Reborn (JournalStone)
Steve Rasnic Tem – Blood Kin (Solaris Books)


Superior Achievement in a First Novel
Maria Alexander – Mr. Wicker (Raw Dog Screaming Press)
J.D. Barker – Forsaken (Hampton Creek Press)
Janice Gable Bashman – Predator (Month9Books)
David Cronenberg – Consumed (Scribner)
Michael Knost – Return of the Mothman (Woodland Press)
Daniel Levine – Hyde (Houghton Mifflin Harcourt)
Josh Malerman – Bird Box (Harper Collins)
Whitney Miller – The Violet Hour (Flux)
Chantal Noordeloos – Angel Manor (Horrific Tales Publishing)
C.J. Waller – Predator X (Severed Press)


Superior Achievement in a Young Adult Novel
Ari Berk – Lych Way (Simon & Schuster Books for Young Readers)
Jake Bible – Intentional Haunting (Permuted Press)
Ilsa J. Bick – White Space (Egmont)
John Dixon – Phoenix Island (Simon & Schuster/Gallery Books)
Kami Garcia – Unmarked (The Legion Series Book 2) (Little Brown Books for Young Readers)
S.E. Green – Killer Instinct (Simon & Schuster/Simon Pulse)
Tonya Hurley – Passionaries (Simon & Schuster Books for Young Readers
Micol Ostow – Amity (Egmont)
Peter Adam Salomon – All Those Broken Angels (Flux)
Stan Swanson and Araminta Star Matthews – Horror High School: Return of the Loving Dead (Curiosity Quills Press)
Johnny Worthen – Eleanor: Book 1 (The Unseen) (Jolly Fish Press)


Superior Achievement in a Graphic Novel
Charles Burns – Sugar Skull
Emily Carroll – Through the Woods
Victor Gischler – Kiss Me Satan
Joe Hill – Locke and Key, Vol. 6
Joe R. Lansdale and Daniele Serra – I Tell You It’s Love (Short, Scary Tales Publications)
Jonathan Maberry – Bad Blood (Dark Horse Books)
Paul Tobin – The Witcher


Superior Achievement in Long Fiction
Michael Bailey – Dandelion Clocks (Inkblots and Blood Spots) (Villipede Publications)
Taylor Grant – The Infected (Cemetery Dance #71) (Cemetery Dance)
Eric J. Guignard – Dreams of a Little Suicide (Hell Comes To Hollywood II: Twenty-Two More Tales Of Tinseltown Terror (Volume 2) (Big Time Books)
Kate Jonez – Ceremony of Flies (DarkFuse)
Joe R. Lansdale – Fishing for Dinosaurs (Limbus, Inc., Book II) (JournalStone)
Jonathan Maberry – Three Guys Walk Into a Bar (Limbus, Inc., Book II) (JournalStone)
Joe McKinney – Lost and Found (Limbus, Inc., Book II) (JournalStone)
Gene O’Neill – Ridin the Dawg (Mia Moja) (Thunderstorm Books)
John F.D. Taff – The Long Long Breakdown (The End in all Beginnings) (Grey Matter Press)
Gregor Xane – The Riggle Twins (Bad Apples) (Corpus Press)


Superior Achievement in Short Fiction
Dale Bailey – Sleep Paralysis (Nightmare Magazine, April 2014) (Nightmare)
Hal Bodner – Hot Tub (Hell Comes to Hollywood II) (Big Time Books)
Patrick Freivald – Trigger Warning (Demonic Visions Book 4) (Chris Robertson)
Sydney Leigh – Baby’s Breath (Bugs: Tales That Slither, Creep, and Crawl) (Great Old Ones Publishing)
Usman T. Malik – The Vaporization Enthalpy of a Peculiar Pakistani Family (Qualia Nous) (Written Backwards)
Alessandro Manzetti – Nature’s Oddities (The Shaman: And Other Shadows) (self-published)
Rena Mason – Ruminations (Qualia Nous) (Written Backwards)
John Palisano – Splinterette (Widowmakers: A Benefit Anthology of Dark Fiction)
Sayuri Ueda – The Street of Fruiting Bodies (Phantasm Japan) (Haikasoru, an imprint of VIZ Media, LLC)
Genevieve Valentine – A Dweller in Amenty (Nightmare Magazine, March 2014) (Nightmare)
Damien Angelica Walters – The Floating Girls: A Documentary (Jamais Vu, Issue Three) (Post Mortem Press)


Superior Achievement in a Fiction Collection
Michael Bailey – Inkblots and Blood Spots (Villipede Publications)
Stephen Graham Jones – After the People Lights Have Gone Off (Dark House Press)
John R. Little – Little by Little (Bad Moon Books)
Helen Marshall – Gifts for the One Who Comes After (ChiZine Publications)
David Sakmyster – Escape Plans (Wordfire Press)
Terrence Scott – The Madeleine Wheel: Playing with Spiders (Amazon)
Lucy Snyder – Soft Apocalypses (Raw Dog Screaming Press)
Robin Spriggs – The Untold Tales of Ozman Droom (Anomalous Books)
John F.D. Taff – The End In All Beginnings (Grey Matter Press)
Alexander Zelenyj – Songs for the Lost (Eibonvale Press)


Superior Achievement in an Anthology
John Joseph Adams and Hugh Howey – The End Is Nigh (Broad Reach Publishing)
Michael Bailey – Qualia Nous (Written Backwards)
Jason Brock – A Darke Phantastique (Cycatrix Press)
Ellen Datlow – Fearful Symmetries (ChiZine Publications)
Kate Jonez – Halloween Tales (Omnium Gatherum)
Eric Miller – Hell Comes to Hollywood II (Big Time Books)
Chuck Palahniuk, Richard Thomas, and Dennis Widmyer – Burnt Tongues (Medallion Press)
Brian M. Sammons – The Dark Rites of Cthulhu (April Moon Books)
Brett J. Talley – Limbus, Inc., Book II (JournalStone)
Terry M. West – Journals of Horror: Found Fiction (Pleasant Storm Entertainment)


Superior Achievement in a Screenplay
Scott M. Gimple – The Walking Dead: The Grove, episode 4:14 (AMC)
Jennifer Kent – The Babadook (Causeway Films)
Alex Kurtzman and Mark Goffman – Sleepy Hollow: “Bad Blood” (Sketch Films/K/O Paper Products/20th Century Fox Television)
John Logan – Penny Dreadful: Séance (Desert Wolf Productions/Neal Street Productions)


Greg Mclean and Aaron Sterns – Wolf Creek 2 (Emu Creek Pictures)
Steven Moffat – Doctor Who: Listen (British Broadcasting Corporation)
Cameron Porsendah – Helix: Pilot (Tall Ship Productions/Kaji Productions/Muse Entertainment/Lynda Obst Productions/in association with Sony Pictures Television)
Jack Thomas Smith –Infliction (Fox Trail Productions)
James Wong – American Horror Story: Coven: “The Magical Delights of Stevie Nicks” (FX Network)

Superior Achievement in Non-Fiction
Massimo Berruti, S.T. Joshi, and Sam Gafford – William Hope Hodgson: Voices from the Borderland (Hippocampus Press)
Jason V. Brock – Disorders of Magnitude (Rowman & Littlefield)
Hayley Campbell – The Art of Neil Gaiman (HarperCollins Publishers)
S.T. Joshi – Lovecraft and A World in Transition (Hippocampus Press)
Leslie S. Klinger – The New Annotated H.P. Lovecraft (Liveright Publishing Corp., a division of W.W. Norton & Co.)
Joe Mynhardt and Emma Audsley – Horror 101: The Way Forward (Crystal Lake Publishing)
Robert Damon Schneck – Mrs. Wakeman vs. the Antichrist (Tarcher/Penguin)
Lucy Snyder – Shooting Yourself in the Head For Fun and Profit: A Writer’s Survival Guide (Post Mortem Press)
Tom Weaver, David Schecter, and Steve Kronenberg – The Creature Chronicles: Exploring the Black Lagoon Trilogy (McFarland & Company, Inc., Publishers)

Superior Achievement in a Poetry Collection
Robert Payne Cabeen – Fearworms: Selected Poems (Fanboy Comics)
G.O. Clark – Gravedigger’s Dance (Dark Renaissance Books)
David E. Cowen – The Madness of Empty Spaces (Weasel Press)
Corrinne De Winter and Alessandro Manzetti – Venus Intervention (Kipple Officina Libraria)
Wade German – Dreams from the Black Nebula (Hippocampus Press)
Tom Piccirilli – Forgiving Judas (Crossroad Press)
Michelle Scalise – The Manufacturer of Sorrow (Eldritch Press)
Marge Simon and Mary Turzillo – Sweet Poison (Dark Renaissance Books)
Tiffany Tang – Creepy Little Death Poems (Dreality Press)
Stephanie Wytovich – Mourning Jewelry (Raw Dog Screaming Press)

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Huge congratulations to everyone on this list. 
I am so incredibly honored to be included in such company!
Voting for works on the Preliminary Ballot will take place between February 1st and 15th, and the Final Ballot will be announced on February 23rd. Anyone who appears on the Final Ballot will be a Bram Stoker Nominated Author or Artist.

Voting HWA Members: For copies of "Baby's Breath," "Dandelion Clocks," or Inkblots and Blood Spots, feel free to shoot me an email or PM via my contact page. They are also available to download on the HWA Forum. 

The lucky winners of the Bram Stoker Awards will be announced on May 9th at the awards ceremony during the 2015 World Horror Convention in Atlanta. 

No matter what, I'll be there to cheer everyone on. 
Thanks for reading,
Syd
xox
1 Comment

Inkblots and Blood Spots

11/23/2014

1 Comment

 
We recently revealed the stunning cover for Inkblots and Blood Spots, Michael Bailey's short story and poetry collection coming on November 30th from Villipede Publications. 


(*update: the book is now available here)

The cover and interior illustrations were designed by British Fantasy Award-winning artist Daniele Serra, an absolute genius who also happens to be one of the loveliest human beings in the universe. His work is dark, beautiful, and a perfect match for Michael's writing.
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One of the biggest thrills for me during the creation and development of this project was reaching out to various people in the industry and sharing the collection for early blurbs. We were lucky enough to receive kind words of praise from John R. Little, Tom Monteleone, F. Paul Wilson, Norman Prentiss, Gene O'Neill, Tim Deal, Richard Thomas, and B.E. Scully. 

To boot, Douglas E. Winter provided the introduction while on business travel in Reykjavik, Iceland. As an editor, Doug has been a hero of mine since I picked up Prime Evil as a fifteen year old kid and fell in love with my first horror anthology. I still have it today...
I keep it within reach, and look at it often. 

The proof of the book looks absolutely beautiful. Here's a gallery of thumbnail images . . . see for yourself.
Fans of Michael's may already be familiar with some of the pieces; favorites among readers are "I Wanted Black," which is very King-esque and shows off Bailey's skills in the art of crafting extremely 
short fiction; "Fireman / Primal Tongue," the Fahrenheit 451-inspired piece which includes a passage from the novel and earned Michael both a Stoker nomination and an honorable mention on Ellen Datlow's Year's Best Horror list; "Underwater Ferris Wheel," a surreal and emotive piece which switches points of view and flawlessly borders on the verge of being terrifying at every turn; "Not the Child," a tale of faeries unlike any you've ever read; and "Bootstrap / The Binds of Lasolastica," which originally appeared in the hugely popular Zippered Flesh anthology from Smart Rhino Publications.

Almost all of the poetry is new—as is "Dandelion Clocks," a novelette inspired by the tragedy of 9/11. It's a lyrical, mind-bending, heart-wrenching piece which Daniele illustrated with an absolutely gorgeous double page spread, and is also on the reading list for consideration in this year's Bram Stoker Long Fiction Award category.

The work in Inkblots and Blood Spots has been carefully arranged so that it's woven together with characters, settings, themes, rhythms, and voices that all connect and flow into the telling of one longer tale throughout.
The full TABLE OF CONTENTS is as follows:

POETRY

Beneath Clouds 
Alive
The Two of You 
Bogey 
Sticks and Bones 
Void 
Simon the Parasite 
Ink 
Listen To Me
All but the Things that Cannot be Torn 
Twisted
Secret Smile 
Open Auras
Though it Rains 
Countdown to Null 
Not Responding
Whisper Dance

STORIES

Hiatus
Bootstrap / The Binds of Lasolastica
A Light in the Closet
Skinny
Not the Child
Scrub
Eavesdropping
It Tears Away
The Dying Gaul
The Mascot
Coulrophobic
Underwater Ferris Wheel
I Wanted Black
Fireman / Primal Tongue
Dandelion Clocks
BLURBS

"Michael Bailey continues to amaze. He is on track to becoming his generation's Ray Bradbury."  

—F. Paul Wilson

~

“Inkblots and Blood Spots is a smart collection of stories that evoke real fear, because they're grounded in emotional truth. Michael Bailey has that rare ability to terrify readers and break their hearts—often in the same paragraph."

—Norman Prentiss, Bram Stoker Award winner, author of Invisible Fences

~

"Artfully executed. A unique and powerful contribution to speculative literature." 

—Tim Deal, Shroud Quarterly

~


"With Inkblots and Blood Spots, Michael Bailey delivers the kind of startlingly original, beautifully imagined, and deeply affecting stories that linger long in the mind, and even longer in the psyche."


—B.E. Scully, author of the critically acclaimed novel Verland: The Transformation and the upcoming novella The Eye That Blinds

~

“The stories and poems in Inkblots and Blood Spots bleed into our souls like knives and leave us breathless. Michael Bailey is a fabulous writer, unique and fresh—and these stories are his best. Inkblots and Blood Spots has my highest recommendation. You don’t want to miss this one . . . go buy this book. Now.” 

—John R. Little, Bram Stoker Award winning author of DarkNet, Miranda, and The Memory Tree

~

 “Most writers are either stylists or story-tellers. The stylists tend to be more common in literary fiction, the storytellers more common in genre work. Michael Bailey’s prose is highly accessible, but very precise  . . . he's a stylist, his prose very clean. Michael is indeed a very literate storyteller.
His stories are always darkly sharp-edged in tone, texture, and delivery, easily appropriate for genre fiction. But perhaps most important, his stories are about something . . . each one is built on a meaningful, engaging, intellectual premise.
I highly recommend this short story collection, which includes some compelling and delightful poetry.”

—Gene O'Neill, The Cal Wild Chronicles

~

“I first encountered Michael Bailey’s work at the Borderlands Press Writers Boot Camp. His writing stood out immediately—vibrant, bold, and bursting with original concepts. He showed me he was a writer willing to bypass all the familiar territories and stake out a new narrative landscape all his own. With this collection of dynamic stories and poems, he will show you as well.”


—Thomas F. Monteleone

~

“This collection of captivating stories and poems is both haunting and poignant. Filled with love and loss, the weight of these resolutions echoes out into the darkness with a heartbreaking permanence.”

—Richard Thomas, author of
Disintegration
So be sure to follow us over on our Facebook page, visit our Inkblots and Blood Spots website page, and check out Michael's blog in the coming days for updates. 

And, naturally, be ready to buy the book on November 30th! 

It will make the perfect gift this time of year for those hard to buy for people on your list . . . 
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"Mum" by Daniele Serra, © Villipede Publications

Thanks for reading,
Syd


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    Author
     & 
    Editor

    Sydney Leigh is the evil literary double of a mostly sane writer, editor, photographer, artist, English teacher, and native of the North Shore. Her poetry, short fiction, and reviews have appeared in numerous  publications.

    Her best friend is a Border Collie, and despite holding degrees in English, Psychology, and Graphic Design, she spends most of her free time doing her teenage son’s laundry and playing rock-paper-scissors with her imaginary roommate, Ted.

     She currently works for Villipede Publications
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